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Making Violin #6 Pt 2  
Bass Bar Finished  
Cleats Finished  
Belly Attached  
Belly and Ribs  
Top and Ribs Done  
Back Linings Glued  
Back Glued  
Carcass Complete  
Purfling in Place  
Purfling Glued  
Purfling Scraped  
Edge Bevel  
Goderich Celtic Festival  
Goderich Celtic Festival Pt 2  
Neck Set  
Heel Roughly Shaped  
Heel Shaped  
Neck Finished  
Nut Attached  
Saddle Roughed Out  
Saddle Done  
Fingerboard on Again  
Bridge Installed  
Strings reinstalled  
First Playing  
Maker's Mark  
Signed & Sealed  
Ready for Varnish  
First Coat  
Second Coat  
Third Coat  
Fourth Coat  
Fifth Coat  
Sixth Coat  
Seventh Coat  
Finished Violin  

Making Violin #6

PurflingGlued_500.jpg

This week I glued the inlaid purfling in place. Rather than removing the purfling, applying glue, and then very quickly trying to get the placement perfect, I took a short-cut. I made up the glue quite thin and hot, and applied it to the edges of the purfling with an eye dropper.

It appeared to work quite well. After waiting a couple of hours, I started trimming the exposed excess with a small chisel. Everything went fine until I got to one of the "C" bouts. The purfling broke and pulled out of the groove for several centimetres.

I reheated the glue and applied a few drops in the exposed groove. I tried to push the purfling down to exactly match the embedded part. It's close, but a very slight offset is visible. I'm hoping that I can disguise it with a bit of judicous scraping and sanding.

At the end of the day, I had finished trimming the exposed excess purfling. Next I well scrape the perimeters to achieve a nice smooth valley.





 

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