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Making Violin #6 Pt 2  
Bass Bar Finished  
Cleats Finished  
Belly Attached  
Belly and Ribs  
Top and Ribs Done  
Back Linings Glued  
Back Glued  
Carcass Complete  
Purfling in Place  
Purfling Glued  
Purfling Scraped  
Edge Bevel  
Goderich Celtic Festival  
Goderich Celtic Festival Pt 2  
Neck Set  
Heel Roughly Shaped  
Heel Shaped  
Neck Finished  
Nut Attached  
Saddle Roughed Out  
Saddle Done  
Fingerboard on Again  
Bridge Installed  
Strings reinstalled  
First Playing  
Maker's Mark  
Signed & Sealed  
Ready for Varnish  
First Coat  
Second Coat  
Third Coat  
Fourth Coat  
Fifth Coat  
Sixth Coat  
Seventh Coat  
Finished Violin  

Making Violin #6

PurflingInPlace_500.jpg

This week I was in Waterloo two days, so was able to make up some of the time lost to travel. Using a very sharp utility knife and hand-sketched lines, I extended the purfling grooves into the "C" bout corners. I have a very narrow chisel ground to the width of the groove, which is used to remove the waste once the edges are cut. It's a very detailed process. I used a head-mounted magnifier for all this work for the first time, and it made the process much more pleasant. The last time I hand-cut purfling grooves I could still see close enough, this time I couldn't have done it without the magnifier.

The groove near the tongue was marked out using a rounded scraper as the template. This scraper has almost the right radius, so I used it as an edge guide to cut the edges as well.

Fitting the purfling turned out to be fairly easy. The most challenging part is always getting exactly the right length so that the points are mitred cleanly.

Now that everything lines up nicely, I am reluctant to remove the purfling from the grooves to apply the hide glue. I'll try leaving them in place and making the glue quite fluid, then applying it with an eye dropper. This works for the Spruce front, I'm hoping that it soaks into the Maple back well enough to provide a strong joint.





 

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